Spacemen 3 live @ Drummonds, Euston Road (Sonic Boom) - 15.11.88. Advertised as 'Sonic Boom & Jason of Spacemen 3'. 'Actually Jason didn't play at all, Will Carruthers played bass and Sonic played guitar and keyboard. Snippets of Honey and bits of his first solo album. Jason stood at the bar all night with his girlfriend.'
Sound of Confusion Demos: 1. The Sound of Confusion: 2. 2.35 (Version 1). For All the Fucked Up Children of This World We Give You Spacemen 3.

Spacemen 3 Recurring As the first stage in Fire Records comprehensive Spacemen 3 reissue campaign, they are proud to release, for the first time on LP in the U.S. The band’s unforgettable debut record, Sound of Confusion, the defining sound of the classic The Perfect.

Spacemen 3Жанр: Shoegaze / PsychedelicГод выпуска диска: 1986-2003Страна: UKАудио кодек: MP3Битрейт аудио: 256-320

Группа Spacemen 3 образовалась в 1982 году в городке Рагби благодаря знакомству Sonic Boom (он же Пит Кембер - Pete Kember) и J.Spaceman (он же Джейсон Пирс - Jason Pierce). В музыке Spacemen 3 чувствовалось влияние гаражного рока 60-х: The 13th Floor Elevators, The Stooges и MC5, а также разноплановых коллективов, типа Suicide и Can. Результатом стал неповторимый и монотонный, вводивший в транс, звук, с “The Sound of Confusion” и “The Perfect Prescription”- классических альбомов группы. В 1991-м Spacemen 3 распалась. Пирс образовал Spiritualized, а Sonic Boom направил свою активность на Spectrum, Experimental Audio Research, сотрудничество с Jessamine и эксперименталистом 60-х The Silver Apples.

Albums

1 Losing Touch With My Mind
2 Hey Man
3 Rollercoaster
4 Mary Anne
5 Little Doll
6 2.35
7 D.D. Catastrophe
8 Walking with Jesus
9 Rollercoaster
10 Feel So Good
11 2.35
Sonic Boom's liner notes from the 1994 reissue in many ways capture the whole point of Spacemen 3's full-length debut: '[It] was basically an exorcism for us of our early material..we began our discography with an equal nod to our influences and our inspirations.' Indeed, calling Sound of Confusion derivative misses the point entirely, where calling it anything but a clear and specific homage to a sound and style would be a complete mistake. Three of its seven songs are cover versions -- 'Rollercoaster' by the 13th Floor Elevators, 'Mary Anne' by Juicy Lucy, and the Stooges' 'Little Doll' -- while the originals are at once very much Spacemen 3 songs and clear distillations of everything the band members were tripping out on at the time. Though Sonic and Pierce later expressed a preference for the takes included on the Taking Drugs to Make Music bootleg, the rough garage energy throughout still makes Sound of Confusion a fine listen, if nowhere near as stunning as where the band would later go. As was the case throughout the band's early days, Pierce handled all the vocals with the right amount of diffidence and low-key intensity, while he and Sonic cranked up the amps for minimal, bluntly entrancing riffs and the Brooker/Bain rhythm section chugged along. Of the originals, leadoff cut 'Losing Touch With My Mind' is the strongest of the bunch, a perfect fusion of the psych/proto-punk/drone influences of its creators sent into the outer void. Meanwhile, 'Hey Man,' the title audibly playing off the rhythm and sound of the word 'amen,' is the first of many overt references to gospel music that Pierce would incorporate for years to come. Some later CD versions included the Walking With Jesus EP for bonus tracks, along with one of the many demo takes on '2:35.'

1 Take Me to the Other Side
2 Walkin with Jesus
3 Ode to Street Hassle
4 Ecstasy Symphony
5 Transparent Radiation
6 Feel So Good
7 Things'll Never Be the Same
8 Come Down Easy
9 Call the Doctor
10 Soul 1
11 That's Just Fine
Drawing together some earlier material and a slew of new songs, Spacemen 3 tied everything together on the brilliant Perfect Prescription, the clear point of departure from tribute to psych inspirations and finding its own unique voice. Planned as a concept album, Perfect Prescription works where so many other similar efforts failed due to the strength of the individual songs, as well as the smart focus of the concept in question -- a vision of a drug trip from inception to its blasted conclusion, highs and lows fully intact. The bookending of the album makes that much clear -- 'Take Me to the Other Side' is a brash, exultant charge into the joys of the experience, a sharp, tight performance. 'Call the Doctor,' meanwhile, is a pretty-but-wounded conclusion, husky singing and a drowsy mood detailing the final collapse. The many highlights in between beginning and end are so striking that the album is practically a best-of in all but name. Sonic's eventual work with Spectrum and E.A.R. gets clearly signaled via the majestic reprise of the Transparent Radiation single, here introduced by the swirling flange of an edited 'Ecstasy Symphony,' also originally from that release. Sonic's breathless delivery of the Red Krayola classic, combined with the elegant arrangement, is a marvel to hear. 'Walkin' With Jesus,' meanwhile, is practically the birth of Spiritualized, the much different earlier takes now become a reflective combination of acoustic guitar, two-note keyboard lines, and Pierce's yearning, aching desire. The intentionally nasty flip to that is the storming charge of 'Things'll Never Be the Same,' a call to arms (or injecting something into them) that's as disturbing as it is energetic, the compressed, violent rage of feedback and rhythmic charge a gripping listen. Guest performers from the Jazz Butcher family tree, including Alex Green on sax, help expand the record's sonic range even further. Further reissues include a rotating series of bonus tracks from contemporary singles.

1. Come Together
2. Rollercoaster
3. Take Me to the Other Side
4. Things'll Never be the Same
5. Starship / Revolution
6. Little Doll
7. O.D. Catastrophe
8. Come Together Two Times

1 Mary-Anne
2 Come Together
3 Things'll Never Be the Same
4 Take Me to the Other Side
5 Rollercoaster
6 Starship
7 Walkin' with Jesus
Recorded in Amsterdam in 1988, the live Performance documents a set from the Perfect Prescription tour; the emphasis here is on the group's loud, noisy origins -- only the closing 'Feel So Good' hints at the more subdued atmospheres and textures which emerged as Spacemen 3's primary focus as they approached Playing With Fire. Among the highlights: 'Take Me to the Other Side,' 'Walkin' With Jesus' and 'Come Together.'

1 Honey
2 Come Down Softly to My Soul
3 How Does It Feel?
4 I Believe It
5 Revolution
6 Let Me Down Gently
7 So Hot (Wash Away All of My Tears)
8 Suicide
9 Lord Can You Hear Me?
10 Suicide [live]
11 Repeater (How Does It Feel) [live]
12 Che
13 May the Circle Be Unbroken
Appropriately preceded by the mind-melting crunch of the 'Revolution' single, Playing with Fire proved to be the end of Spacemen 3 as a functioning band, but in truly spectacular fashion. Exploring both the depths of serene, agog beauty and sheer tape-shredding chaos, Playing with Fire pushed the extremes of The Perfect Prescription to an even further edge. It's little surprise that Pierce and Sonic couldn't find themselves properly working together after it, but even less that hordes of bands to follow would rank Playing with Fire as the equal (or better) of psychedelia's '60s/'70s forebears. Sonic himself is quoted in one reissue's liner notes as feeling the album 'was the refining point of a lot of my theories on minimalism being maximalism' -- as apt a description as any. One of his songs, 'How Does It Feel?,' sums it up by using a series of notes echoing off into the distance, again and again. With future Spiritualized bassist Will Carruthers in place of Bain, the trio (and uncredited drummer) created glazed, liquid songs with subtle arrangements and sheer reveling in aural joys. Flange is everywhere, as is echo, full dynamic stereo mixes and more, a feast of sound. When aiming toward a gentler, hushed sound, most notably on Pierce's compositions, the incorporation of gospel power filtered through the band's own perspective results in wonders, as heard on 'Come Down Softly to My Soul' and the album closing 'Lord Can You Hear Me?' As for the louder end of things, besides the awesome 'Revolution' itself, a slow burn blast that just keeps getting more and more obsessive and frenetic as it goes, Sonic calling for a release of energy in a mere five seconds, the other complete freakout is 'Suicide.' An instrumental tribute to the New York synth pioneers, Spacemen 3 keep the minimalism and up the feedbac

Sound Of Confusion Spacemen 3 Rar